Magazine layout

Here are two different magazine layouts refering to conflict in war. My first design  was useing block colour like red, yellow, grey and black. I then throw in a couple of picturs to do with the subject of war. However thisd wasnt quite the layout style i was going for but it gave me an idea of what to do next for a magazine layout, First off i wanted explotion shapes flying out in all directions, the best picturs i could find was the paint splat which creats an abstract explosion giveing the audience the right effect. Then was the background which i would choose to draw the audiences eye into this piece. Then the title which have to be unique and created by us,  i used a piece of typography for m online and then addapted it to give a more worn effect as if it had been through a battle .

Art movements

Here is my work on art movements over the last hundred years including eight different movements. All of these are very important in how art has evolved over the years and where styles were born from. I gives us an idea of where art has been and maybe Even where its going. All of the movements i have added here all interest me in their own way. Art nouveau is greatly based on nature, mother nature this is why female figures are use in this way in Nouveau. Futurism is another interesting style in its abstract and its use of movement and speed by using pointed shapes of colour and change of shade to this effect. Art deco had a different kind of design almost minimalism using a lot of coloured shapes working on being colourful and simple and was a huge success in its time.Abstract impressionism probably one of my favourite movements because of its abstract nature and how much expression you can involve in this movement and the amount of colour used never lets me down. Pop art was one of the biggest movement of the sixties and is still used alot today mostly in street art by mixing in irony and an abstract tendency, use of alot of coulor and bright imageing aare the main ettect of this movement. Minimalism is the idea of less is more in tyhe art work, it was the idea of useing very little colour and detale in order to caert new spacesions pieces offten involoving shaps such as squars and coloured blocks. Photo realism is litteraly what it sounds like the following of painting so correctly that it looks like real life, this movement involves a lot of skill and patience in order to come out with such an effected, paintings of the royal family are normaly done in this style.for there accuracie. Postmodernism is thye movement we are currently in, this style consised of Intamedia, Illastration art, Conceptual art and multi media. Postmoderism is  the recycling of past styles and themes in a modern-day context, it is made from high art low art and popular cuolture.

Art movements

Abstract Impressionism

Abstract Impressionism is a type of abstract painting (not to be confused with Abstract Expressionism, a similar but different movement) where small brushstrokes build and structure large paintings. Small brushstrokes exhibit control of large areas, expressing the artist's emotion and focus on inner energy, and sometimes contemplation, creating expressive, lyrical and thoughtful qualities in the paintings. The brushstrokes are similar to those of Impressionists such as Monet and Post-Impressionists such as van Gogh and Seurat, only tending toward Abstract Expressionism. While in the action painting style of Abstract Expressionism brushstrokes were often large and bold and paint was applied in a rapid outpouring of emotion and energy, the Abstract Impressionist's short and intense brushstrokes or non-traditional application of paints and textures is done slowly and with purpose, using the passage of time as an asset and a technique. Milton Resnick, Sam Francis, Richard Pousette-Dart, and Philip Guston were notable Abstract Impressionist painters during the 1950s. Paul Jackson Pollock (January 28, 1912 – August 11, 1956), known as Jackson Pollock, was a major figure in the abstract expressionist movement, and Canadian artist Jean-Paul Riopelle helped introduce Abstract Impressionism to Paris in the 1950s.
Elaine de Kooning coined the term "Abstract Impressionism"^[1] and it was soon used by critic Louis Finkelstein in an attempt to distinguish for Philip Guston the difference between the two forms.^[2] The primary difference is in approach. The similarity between the two forms, however, is in the final outcome – what is acceptable as a finished piece.

Art Nouveau

Art Nouveau is an international philosophy^[1] and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910.^[2] The name "Art Nouveau" is French for "new art". It is known also as Jugendstil, pronounced [ˈjuːɡn̩tʃtiːl ], German for "youth style", named after the magazine Jugend, which promoted it, as Modern (Модерн) in Russia, perhaps named after Parisian gallery "La Maison Moderne", as Secession in Austria and Hungary after the Viennese group of artists, and, in Italy, as Stile Liberty from the department store in London, Liberty & Co., which popularised the style. A reaction to academic art of the 19th century, it was inspired by natural forms and structures, not only in flowers and plants but also in curved lines. Architects tried to harmonize with the natural environment. It is also considered a philosophy of design of furniture, which was designed according to the whole building and made part of ordinary life.

Alphonse Mucha

Alphonse Maria Mucha was born in the town of Ivančice, Moravia (the present Czech Republic). Although his singing abilities allowed him to continue his education through high school in the Moravian capital of Brno, drawing had been his main hobby since childhood. He worked at decorative painting jobs in Moravia, mostly painting theatrical scenery. In 1879, he relocated to Vienna to work for a major Viennese theatrical design company, while informally augmenting his artistic education. When a fire destroyed his employer's business during 1881 he returned to Moravia, to do freelance decorative and portrait painting. Count Karl Khuen of Mikulov hired Mucha to decorate Hrušovany Emmahof Castle with murals, and was impressed enough that he agreed to sponsor Mucha's formal training at the Munich Academy of Fine Arts.
Inspired by nature

Minimalism

Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt, and Frank Stella. It is rooted in the reductive aspects of Modernism, and is often interpreted as a reaction against Abstract expressionism and a bridge to Postminimal art practices.
The terms have expanded to encompass a movement in music which features repetition and iteration, as in the compositions of La Monte Young, Terry Riley, Steve Reich, Philip Glass, and John Adams. Minimalist compositions are sometimes known as systems music.
The term "minimalist" is often applied colloquially to designate anything which is spare or stripped to its essentials. It has also been used to describe the plays and novels of Samuel Beckett, the films of Robert Bresson, the stories of Raymond Carver, and even the automobile designs of Colin Chapman. The word was first used in English in the early 20th century to describe the Mensheviks.

Lawrence Alloway curated an exhibition of the same name in 1958 and included, among others, Bernard Cohen, Harold Cohen, Sam Francis, Patrick Heron, Nicolas de Staël. A contemporary heir to the Abstract Impressionist form is William Duvall, whose Eco-Abstract paintings are done outdoors.

Futurisim

Futurism was an artistic and social movement that originated in Italy in the early 20th century. It emphasized and glorified themes associated with contemporary concepts of the future, including speed, technology, youth and violence, and objects such as the car, the airplane and the industrial city. It was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere. The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre, film, fashion, textiles, literature, music, architecture and even gastronomy. Key figures of the movement include the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Antonio Sant'Elia, Tullio Crali and Luigi Russolo, and the Russians Natalia Goncharova, Velimir Khlebnikov, and Vladimir Mayakovsky. Important works include its seminal piece of the literature, Marinetti's Manifesto of Futurism, as well as Boccioni's sculpture, Unique Forms of Continuity in Space, and Balla's painting, Abstract Speed + Sound (pictured). Futurism influenced art movements such as Art Deco, Constructivism, Surrealism, Dada, and to a greater degree, Rayonism and Vorticism.

Giacomo Balla

Born in Turin, in the Piedmont region of Italy, the son of an industrial chemist, as a child Giacomo Balla studied music.
At 9, when his father died, he gave up music and began working in a lithograph print shop. By age twenty his interest in art was such that he decided to study painting at local academies and exhibited several of his early works. Following academic studies at the University of Turin, Balla moved to Rome in 1895 where he met and married Elisa Marcucci. For several years he worked in Rome as an illustrator and caricaturist as well as doing portraiture. In 1899 his work was shown at the Venice Biennale and in the ensuing years his art was on display at major Italian exhibitions in Rome and Venice, in Munich, Berlin and Düsseldorf in Germany as well as at the Salon d'Automne in Paris and at galleries in Rotterdam in the Netherlands.
Influenced by Filippo Tommaso Marinetti, Giacomo Balla adopted the Futurism style, creating a pictorial depiction of light, movement and speed. He was signatory to the Futurist Manifesto in 1910 and began designing and painting Futurist furniture and also created Futurist "antineutral" clothing. He also taught Umberto Boccioni. In painting, his new style is demonstrated in the 1912 work titled Dynamism of a Dog on a Leash. Seen here, is his 1914 work titled Abstract Speed + Sound (Velocità astratta + rumore). In 1914, he also began sculpting and the following year created perhaps his best known sculpture called Boccioni's Fist.

 

 

Realism

Realism in the visual arts and literature refers to the general attempt to depict subjects as they are considered to exist in third person objective reality, without embellishment or interpretation and "in accordance with secular, empirical rules." As such, the approach inherently implies a belief that such reality is ontologically independent of man's conceptual schemes, linguistic practices and beliefs, and thus can be known (or knowable) to the artist, who can in turn represent this 'reality' faithfully. As Ian Watt states, modern realism "begins from the position that truth can be discovered by the individual through the senses" and as such "it has its origins in Descartes and Locke, and received its first full formulation by Thomas Reid in the middle of the eighteenth century."
Realism often refers more specifically to the artistic movement, which began in France in the 1850s. Realism in France appears after the 1848 Revolution. These realists positioned themselves against romanticism, a genre dominating French literature and artwork in the late 18th and early 19th centuries. Seeking to be undistorted by personal bias, Realism believed in the ideology of objective reality and revolted against the exaggerated emotionalism of the romantic movement. Truth and accuracy became the goals of many Realists. Many paintings depicted people at work, underscoring the changes wrought by the Industrial and Commercial Revolutions. The popularity of such 'realistic' works grew with the introduction of photography — a new visual source that created a desire for people to produce representations which look “objectively real.”
The term is also used to refer to works of art which, in revealing a truth, may emphasize the ugly or sordid, such as works of social realism, regionalism or Kitchen sink realism.

Pop Art

Pop art is an art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United States.^[1] Pop art presented a challenge to traditions of fine art by including imagery from popular culture such as advertising, news, etc. In Pop art, material is sometimes visually removed from its known context, isolated, and/or combined with unrelated material.^[1][2] The concept of pop art refers not as much to the art itself as to the attitudes that led to it.^[2]
Pop art employs aspects of mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion upon them.^[3] And due to its utilization of found objects and images it is similar to Dada. Pop art is aimed to employ images of popular as opposed to elitist culture in art, emphasizing the banal or kitschy elements of any given culture, most often through the use of irony.^[2] It is also associated with the artists' use of mechanical means of reproduction or rendering techniques.
Much of pop art is considered incongruent, as the conceptual practices that are often used make it difficult for some to readily comprehend. Pop art and minimalism are considered to be art movements that precede postmodern art, or are some of the earliest examples of Postmodern Art themselves.^[4]
Pop art often takes as its imagery that which is currently in use in advertising.^[5] Product labeling and logos figure prominently in the imagery chosen by pop artists, like in the Campbell's Soup Cans labels, by Andy Warhol. Even the labeling on the shipping carton containing retail items has been used as subject matter in pop art, for example in Warhol's Campbell's Tomato Juice Box 1964, (pictured below), or his Brillo Soap Box sculptures.

Peter Blake

During the late 1950s, Blake became one of the best known British pop artists. His paintings from this time included imagery from advertisements, music hall entertainment, and wrestlers, often including collaged elements. Blake was included in group exhibitions at the Institute of Contemporary Arts and had his first solo exhibition in 1960. It was with the 'Young Contemporaries' exhibition of 1961 where he was exhibited alongside David Hockney and R.B. Kitaj that he was first identified with the emerging British Pop Art movement. Blake won the (1961) John Moores junior award for his work Self Portrait with Badges. He first came to wider public attention when, along with Pauline Boty, Derek Boshier and Peter Phillips, he was featured in Ken Russell's Moniter film on pop art, Pop Goes the Easel, which was broadcast on BBC television in 1962. From 1963 Blake was represented by Robert Fraser which placed him at the centre of swinging London and brought him into contact with leading figures of popular culture.

Brighton Fringe

These are all pieces Frome my work on in the city. The top piece was part of my final piece, which was three A3 pieces of graphics work. But all three of these are important to this because they are all my plans for a postcard desgin for Brighton Finge Festival, This was an intresting unit because it helped me to understand how to use bright colouring and creative styles to daw veiws to it.

Mr. Brainwash ("MBW") is a pseudonym for Thierry Guetta. According to the Banksy-directed film Exit Through the Gift Shop^. Guetta, who lives in Los Angeles, California, began as a proprietor of a clothing store and videographer who evolved into a street artist and gallery artist after being influenced by the street artists he documented through video over the years. According to the film, Guetta was first introduced to street art by his cousin, the street artist, Invader.

The artwork attributed to Guetta strongly emulates the styles and artistic concepts of well-known street artists including Banksy and Shepard Fairey. Like Banksy, Guetta employs famous artistic and historic images, many of which are copyrighted, and amends the originals in slight or significant ways. Unlike Banksy, who is shown in the film creating his own work, Guetta states in the film that his work largely consists of "scanning and photoshopping," acts which are carried out by hired assistants. Guetta further admits that most of the actual artistic process is carried out by hired graphic designers to whom he describes his ideas.

Josef Müller-Brockmann, (May 9, 1914, in Rapperswil – August 30, 1996), was a Swiss graphic designer and teacher. He studied architecture, design and history of art at both the University and Kunstgewerbeschule in Zurich. In 1936 he opened his Zurich studio specialising in graphic design, exhibition design and photography. From 1951 he produced concert posters for the Tonhalle in Zurich. In 1958 he became a founding editor of New Graphic Design along with R.P. Lohse, C. Vivarelli, and H. Neuburg. In 1966 he was appointed European design consultant to IBM. Müller-Brockman was author of the 1961 publications The Graphic Artist and his Design Problems, Grid Systems in Graphic Design where he advocates use of the grid for page structure, and the 1971 publications History of the Poster and A History of Visual Communication.